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    <meta name="dc.creator" content="Jean-Louis Giavitto"/>
    <meta name="dc.creator" content="Florent Jacquemard"/>
    <meta name="dc.creator" content="Clément Poncelet"/>
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      <div class="TdmEntry">Research Program<ul><li><a href="uid6.html&#10;&#9;&#9;  ">Machine Listening</a></li><li><a href="uid10.html&#10;&#9;&#9;  ">Synchronous and realtime programming for computer music</a></li><li class="tdmActPage"><a href="uid15.html&#10;&#9;&#9;  ">Semantics, Verification and Test of Mixed Scores</a></li></ul></div>
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	    Raweb 
	    2016</a> | <a href="http://www.inria.fr/en/teams/mutant">Presentation of the Project-Team MUTANT</a> | <a href="http://repmus.ircam.fr/MuTant">MUTANT Web Site
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        <h2>Section: 
      Research Program</h2>
        <h3 class="titre3">Semantics, Verification and Test of Mixed Scores</h3>
        <p class="participants"><span class="part">Participants</span> :
	Jean-Louis Giavitto, Florent Jacquemard, Clément Poncelet.</p>
        <p>We address the questions
of <i>functional reliability</i> and
<i>temporal predictability</i>
in score-based interactive music systems such as Antescofo.
On the one hand, checking these properties is difficult for these systems
involving an amount of human interactions
as well as timing constraints (for audio computations)
beyond those of many other real-time applications such as embedded control.
On the other hand, although they are expected to behave properly during public concerts,
these systems are not safety critical,
and therefore a complete formal certification is not strictly necessary in our case.</p>
        <p>Our objective in this context is to
provide techniques and tools to assist both programmers of scores
(<i>i.e.</i> composers) and the developers of the system itself.
<a href="./bibliography.html#mutant-2016-bid34">[47]</a>, <a href="./bibliography.html#mutant-2016-bid35">[46]</a>.
It should be outlined that the former are generally not experts
in real-time programming, and we aim at giving them a clear view of what will be the outcome of
the score that they are writing, and what are the limits of
what is playable by the system.
To help the development of Antescofo, we have built a framework
for automated timed conformance testing.
<a href="./bibliography.html#mutant-2016-bid36">[14]</a>, <a href="./bibliography.html#mutant-2016-bid37">[18]</a>, <a href="./bibliography.html#mutant-2016-bid38">[58]</a>, <a href="./bibliography.html#mutant-2016-bid39">[60]</a>, <a href="./bibliography.html#mutant-2016-bid40">[59]</a>.</p>
        <p>In both cases, it is important to be able to predict statically
the behavior of the system in response to every possible musician input.
This cannot be done manually and requires
first a formal definition of the semantics of scores, and
second using advanced symbolic state exploration techniques (model checking)  <a href="./bibliography.html#mutant-2016-bid25">[43]</a>.</p>
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