Section: New Results
Knowledge-based models for narrative design
Cinematographic virtual camera control
Participants : Marie-Paule Cani, Quentin Galvane, Vineet Gandhi, Chen Kim Lim, Rémi Ronfard.
Steering Behaviors for Autonomous Cameras  : We proposed a new method for automatically filming crowd simulations with autonomous cameras, using specialized camera steering behaviors and forces. Experimental results show that the method provides a good coverage of events in moderately complex crowds simulations, with consistently correct image composition and event visibility.
The prose storyboard language  : We presented a formal language for describing movies shot by shot, where each shot is described with a unique sentence. The language uses a simple syntax and limited vocabulary borrowed from working practices in traditional movie-making, and is intended to be readable both by machines and humans. The language is designed to serve as a high-level user interface for intelligent cinematography and editing systems.
Participants : Adela Barbulescu, Rémi Ronfard.
Audio-Visual Speaker Conversion using Prosody Features  : We presented a new approach towards speaker identity conversion using speech signals and 3D facial expressions. Audio prosodic features are extracted from time alignment information for a better conversion of speaking styles. A subjective evaluation was performed to illustrate that the converted sequences are perceived as belonging to the target speakers. We are working to extend that approach to visual prosody features and to apply it to the situation where a director controls the expressions of a virtual actor, while maintaining its personality traits.
Narrative analysis of video
Participants : Vineet Gandhi, Rémi Ronfard.
Naming and detecting actors in movies  : We proposed a generative model for localizing and naming actors in long video sequences. More specifically, the actor’s head and shoulders are each represented as a constellation of optional color regions. Detection can proceed despite changes in view-point and partial occlusions. This work is being extended to the case of theatre actors during performances and rehearsals. It also opens the way to future work in automatic analysis of cinematographic and editing styles in real movie scenes. This was also presented as a poster at the International Conference on Computational Photography (ICCP).
Recording theatre rehearsals  : We presented a contribution to the International Federation for Theatre Research describing our ongoing collaboration with the Theatre des Celestins in Lyon, emphasising that high quality vídeo recordings make it possible to study the genetic evolution of a theatre performance, and make it an object of scientific study as well as an object of aesthestic appreciation.