Section: New Results
Web Reactive Programming
During the year, we have continued our effort in designing and implementing the HipHop.js programming language, we have applied it to interactive music composition, and we have studied security of reactive systems.
The orchestration DSL we propose is called HipHop.js. It is a reactive synchronous language. More precisely, it is an adaptation of the Esterel programming language to the Web. The motivations for choosing Esterel are diverse. First, and most important, Esterel is powerful enough to handle all the orchestration patterns we are considering. Second, the team, via its partnership with Colège de France, has high expertise in the design and development of Esterel-like languages, which constitutes a highly valuable asset for our development.
During the year of 2018, we have finalized and completed the design of the language that is now almost stabilized. It follows previous version developed in C. Vidal's PhD studies , . The version 0.3.x has been made available at the URL http://hop-dev.inria.fr. It has been used to implement our first orchestration demanding applications, in particular, an interactive music composition application. Our next steps will consist in completing the design and implementation of the language and a minimal development environment without which only experts can use the system. We of course also need to publicize the system and describe its design and internal in various academic publications.
Interactive music composition: the Skini platform
In the sixties, the philosopher Umberto Eco, and musicians such as K. Stockausen, K. Penderescki, L. Berio questioned about the relationship between composers, musicians, and the way we perceive music. Eco used the wording "Open Work", and showed that, the vision of the world evolved from a static world to a more blurred perception. According to this new perception and in a shift comparable to the evolution of physics from Copernic to Einstein, some contemporary artists tried to express this complexity through works where the performer and the audience have a concrete impact on the work. Since the sixties, the development of audience participation for collaborative music production has become a more and more active field. Thanks to the large device market and web based technology development such as web audio API, "Open Work" got a broader meaning with systems allowing individual interaction. Nevertheless it is still difficult to find systems proposing frameworks dedicated to music composition of interactive performances with a clear composition scheme and ease of use. This is our motivation for developing a framework, called Skini, designed for composing, simulating, and executing interactive performances. Skini is based on elementary music patterns, automatic control of the patterns activation made possible thanks to Hop and Hiphop. Skini was first used for a concert that took place at the very end of 2017 in the contemporary Musical Festival of Nice (MANCA) followed in 2018 by performances during the "Portes ouvertes" of Inria, the "Fête de la Science" and the Synchron conference.
In 2018: The Skini's user interface has been revamped. We have tried several interfaces for the pattern activation and focused on a simple one in order to make the interface more intuitive and fluid. We have added an important feature called the "distributed sequencer", which allows the audience not only to activate patterns but also to create them. We have added a new level of interaction, the scrutator, which allows global actions by the audience on the orchestration. The complete system is now synchronized with an external Midi clock. We have developed a first version of stand alone Midi control of the pattern. The system has followed the evolution of the Hiphop syntax and now implements the last version for the control of orchestration. We improved the synchronisation system and the processes for implementing the orchestration.