Bibliography
Major publications by the team in recent years
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1A. Cont.
Realtime Multiple Pitch Observation using Sparse Non-negative Constraints, in: International Symposium on Music Information Retrieval (ISMIR), Victoria, Canada, 2006.
http://hal.inria.fr/hal-00723223 -
2A. Cont.
A coupled duration-focused architecture for realtime music to score alignment, in: IEEE Transactions on Pattern Analysis and Machine Intelligence, 2010, vol. 32, no 6, pp. 974-987.
http://articles.ircam.fr/textes/Cont09a/ -
3A. Cont.
On the creative use of score following and its impact on research, in: Sound and Music Computing, Padova, Italy, July 2011.
http://articles.ircam.fr/textes/Cont11a/ -
4A. Cont, S. Dubnov, G. Assayag.
On the Information Geometry of Audio Streams with Applications to Similarity Computing, in: IEEE Transactions on Audio, Speech and Language Processing, May 2011, vol. 19, no 4. -
5A. Cont, J. Echeveste, J.-L. Giavitto, F. Jacquemard.
Correct Automatic Accompaniment Despite Machine Listening or Human Errors in Antescofo, in: ICMC 2012 - International Computer Music Conference, Ljubljana, Slovenia, IRZU - the Institute for Sonic Arts Research, September 2012.
http://hal.inria.fr/hal-00718854 -
6A. Dessein, A. Cont, G. Lemaitre.
Real-time polyphonic music transcription with non-negative matrix factorization and beta-divergence, in: Proceedings of the 11th International Society for Music Information Retrieval Conference (ISMIR), Utrecht, Netherlands, August 2010. -
7J. Echeveste, A. Cont, J.-L. Giavitto, F. Jacquemard.
Operational semantics of a domain specific language for real time musician-computer interaction, in: Discrete Event Dynamic Systems, August 2013, vol. 23, no 4, pp. 343-383. [ DOI : 10.1007/s10626-013-0166-2 ]
http://hal.inria.fr/hal-00854719 -
8N. Montecchio, A. Cont.
A Unified Approach to Real Time Audio-to-Score and Audio-to-Audio Alignment Using Sequential Montecarlo Inference Techniques, in: Proceedings of International Conference on Acoustics, Speech and Signal Processing (ICASSP), Prague, Czech Republic, May 2011. -
9N. Montecchio, A. Cont.
Accelerating the Mixing Phase in Studio Recording Productions by Automatic Audio Alignment, in: 12th International Symposium on Music Information Retrieval (ISMIR), Miami, Florida, October 2011.
Articles in International Peer-Reviewed Journals
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10J. Bresson, J.-L. Giavitto.
A Reactive Extension of the OpenMusic Visual Programming Language, in: Journal of Visual Languages and Computing, 2014, vol. 25, no 4, pp. 363-375. [ DOI : 10.1016/j.jvlc.2014.03.003 ]
https://hal.archives-ouvertes.fr/hal-00965747
International Conferences with Proceedings
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11T. Coffy, J.-L. Giavitto, A. Cont.
AscoGraph: A User Interface for Sequencing and Score Following for Interactive Music, in: ICMC 2014 - 40th International Computer Music Conference, Athens, Greece, September 2014.
https://hal.inria.fr/hal-01024865 -
12P. Cuvillier, A. Cont.
Coherent Time Modeling of semi-Markov Models with Application to Real-Time Audio-to-Score Alignment, in: MLSP 2014 - IEEE International Workshop on Machine Learning for Signal Processing (2014), Reims, France, J. Larsen, K. Guelton (editors), IEEE, September 2014.
https://hal.inria.fr/hal-01058366 -
13P. Cuvillier.
Time-coherency of Bayesian priors on transient semi-Markov chains for audio-to-score alignment, in: MaxEnt 2014, Amboise, France, SEE, September 2014.
https://hal.inria.fr/hal-01080235 -
14P. Donat-Bouillud, F. Jacquemard, M. Sakai.
Towards an Equational Theory of Rhythm Notation, in: Music Encoding Conference 2015, Florence, Italy, May 2015.
https://hal.inria.fr/hal-01105418 -
15J.-L. Giavitto, J. Echeveste.
Real-Time Matching of Antescofo Temporal Patterns, in: PPDP 2014 - 16th International Symposium on Principles and Practice of Declarative Programming, Canterbury, United Kingdom, ACM, September 2014, forthcoming. [ DOI : 10.1145/2643135.2643158 ]
https://hal.archives-ouvertes.fr/hal-01054667 -
16J. Nika, J. Echeveste, M. Chemillier, J.-L. Giavitto.
Planning Human-Computer Improvisation, in: International Computer Music Conference, Athens, Greece, September 2014, 8 p.
https://hal.archives-ouvertes.fr/hal-01053834 -
17C. Poncelet, F. Jacquemard.
Model Based Testing of an Interactive Music System, in: ACM SAC, Salamanca, Spain, April 2015. [ DOI : 10.1145/2695664.2695804 ]
https://hal.archives-ouvertes.fr/hal-01097345 -
18C. Poncelet Sanchez, F. Jacquemard.
Test Methods for Score-Based Interactive Music Systems, in: ICMC SMC 2014, Athen, Greece, September 2014.
https://hal.inria.fr/hal-01021617
Conferences without Proceedings
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20A. Cont, J. Echeveste, J.-L. Giavitto.
The Cyber-Physical System Approach for Automatic Music Accompaniment in Antescofo, in: Acoustical Society Of America, Providence, Rhode Island, United States, May 2014, Best Paper Award for Students and Young Presenters.
https://hal.inria.fr/hal-00997842
Scientific Books (or Scientific Book chapters)
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21J.-L. Giavitto.
Du temps écrits au temps produit en informatique musicale, in: Produire le temps, H. Vinet (editor), Hermann, April 2014, pp. 73-106, 238p. Contributeurs : Yves André, Gérard Berry, Antoine Bonnet, Nicolas Donin, Laurent Feneyrou, Patrick Flandrin, Jean-Louis Giavitto, Philippe Manoury, François Nicolas, Thierry Paul, François Regnault, Pierre-André Valade, Hugues Vinet.
https://hal.archives-ouvertes.fr/hal-00960989
Books or Proceedings Editing
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22L. Duchien, J.-L. Giavitto (editors)
Editorial, 3, Technique et Science Informatiques, May 2014, vol. 33, 4 p.
https://hal.inria.fr/hal-01055909
Internal Reports
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23J. Bresson, J.-L. Giavitto.
Specification of a reactive computation model for OpenMusic, IRCAM, 2014, 17 p.
https://hal.archives-ouvertes.fr/hal-00959312 -
24F. Jacquemard, C. Poncelet Sanchez.
Antescofo Intermediate Representation, 2014, no RR-8520, 13 p.
https://hal.inria.fr/hal-00979359 -
25F. Jacquemard, L. Segoufin, J. Dimino.
FO2(<,+1, ) on data trees, data tree automata and an branching vector addition systems, Inria Saclay, January 2015, 32 p.
https://hal.inria.fr/hal-00769249
Other Publications
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26A. Bietti.
Online learning for audio clustering and segmentation, ENS Cachan, September 2014.
https://hal.inria.fr/hal-01064672 -
27R. Gong.
Suivi de partition pour l'alignement de la voix chantée, Université Pierre et Marie Curie, Paris, September 2014.
https://hal.inria.fr/hal-01066603
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28G. Assayag, A. Gerzso (editors)
New Computational Paradigms for Computer Music, Sciences de la musique, Editions Delatour, 6 2009. -
29A. Dessein, A. Cont, G. Lemaitre.
Real-time detection of overlapping sound events with non-negative matrix factorization, in: Matrix Information Geometry, F. Nielsen, R. Bhatia (editors), Springer, 2013, pp. 341-371. [ DOI : 10.1007/978-3-642-30232-9_14 ]
http://hal.inria.fr/hal-00708805 -
30G. Di Giugno, J. Kott.
Système 4X : processeur numérique de signal en temps réel, Ircam, 1981.
http://articles.ircam.fr/textes/DiGiugno81a/ -
31A. Hessel, K. G. Larsen, M. Mikucionis, B. Nielsen, P. Pettersson, A. Skou.
Testing real-time systems using UPPAAL, in: Formal methods and testing, Berlin, Heidelberg, R. M. Hierons, J. P. Bowen, M. Harman (editors), Springer-Verlag, 2008, pp. 77–117.
http://dl.acm.org/citation.cfm?id=1806209.1806212 -
32M. Krichen, S. Tripakis.
Black-box conformance testing for real-time systems, in: In 11th International SPIN Workshop on Model Checking of Software (SPIN'04), volume 2989 of LNCS, Springer, 2004, pp. 109–126. -
33E. A. Lee.
Computing Needs Time, in: Communications of the ACM, May 2009, vol. 52, no 5, pp. 70-79.
http://chess.eecs.berkeley.edu/pubs/615.html -
34E. Lindemann, M. Starkier, F. Déchelle.
The Ircam Musical Workstation : hardware Overview and Signal Processing Features, in: ICMC: International Computer Music Conference, Glasgow, 1990.
http://articles.ircam.fr/textes/Lindemann90a -
35G. Loy, C. Abbott.
Programming languages for computer music synthesis, performance, and composition, in: ACM Computing Surveys (CSUR), 1985, vol. 17, no 2, pp. 235–265. -
36J. McCartney.
SuperCollider: a new real time synthesis language, in: Proceedings of the International Computer Music Conference, 1996.
http://www.audiosynth.com/icmc96paper.html -
37M. Puckette.
The Patcher, in: Proceedings of International Computer Music Conference (ICMC), 1988, pp. 420-429. -
38M. Puckette.
Combining Event and Signal Processing in the MAX Graphical Programming Environment, in: Computer Music Journal, 1991, vol. 15, pp. 68–77. -
39R. Rowe.
Interactive music systems: machine listening and composing, MIT Press, Cambridge, MA, USA, 1992. -
40E. D. Scheirer.
Music listening systems, MIT Media Lab, 2000.
http://web.media.mit.edu/~tristan/Classes/MAS.945/Papers/Technical/Scheirer_Thesis.pdf -
41B. Selman, R. A. Brooks, T. Dean, E. Horvitz, T. M. Mitchell, N. J. Nilsson.
Challenge Problems for Artificial Intelligence (Panel Statements), in: AAAI/IAAI, Vol. 2, 1996, pp. 1340-1345. -
42R. Steinmetz.
Analyzing the multimedia operating system, in: MultiMedia, IEEE, 1995, vol. 2, no 1, pp. 68 -84.
http://dx.doi.org/10.1109/93.368605 -
43R. Steinmetz.
Human perception of jitter and media synchronization, in: Selected Areas in Communications, IEEE Journal on, 1996, vol. 14, no 1, pp. 61–72. -
44B. Vercoe.
The Synthetic Performer in the Context of Live Performance, in: Proceedings of the ICMC, 1984, pp. 199–200.